Ace, Jack, & King, Take a Listen!

Some heavy heavy blues adorn this enticing cd from American artist Eli Cook. The opener  Death Rattle kicks in with a mighty force and some splendidly filthy harmonica courtesy of the wonderfully named Wavorly Milor, and following, Better Man with its Bo Diddly Rhythm shows off Cook s masterful slide guitar playing.

The frantic pace subsides with Please, Please and Cook s baritone voice sounds deeper than Keb Mo! A pleasing, soothing blues ballad that will charm you as it catches you off guard.

So a mixture of beguiling acoustic blues through to Muddy Water heaviness adorn this album-- a combination of poignancy and toughness using the blues idiom as a positive moral force, take a listen!
                                                                                                                ---Emrys Baird,

                                                                                                                    Blues and Soul Magazine, UK

http://www.bluesandsoul.com/review/1604/eli_cook_ace_jack_and_king/

Eli Cook: A Man Whose Blues Are His Own

Eli Cook

We remember all those souls that carefully watched over us in our formative years. For Eli Cook, Muddy Waters, John Lee Hooker, Howlin Wolf, Lightnin  Hopkins and Mississippi John Hurt were the gatekeepers for the riffs that ran through a young Eli s blues soaked head. He began playing at fourteen, performing at blues/gospel shows and revivals in his native Virginia. Eli Cook has grown up, evolving from the blues phenomenom dub of youth into a man whose blues are his own. On Ace, Jack & King he shows the cards are marked for a full frontal assault on the brain. Hair raising guitar sonics open the album with Death Rattle and set the pace/stage/bar for crunchy, swamp crawling distorted blues.  Acoustic finger play and simple rhythms hold down one side of the Eli Cook coin with Catifish Blues, Black Eyed Dog and Suicide King. Push the needle hard in the other direction to find paint peeling, metal teasing electric blues on cuts such as Snake Charm and Crow Jane.

 http://www.thealternateroot.com/alternate-root-weekly-features/alternate-root-artists-of-the-week

"Ace, Jack, & King": A Staggering Piece of Work

Eli Cook wades through dark waters on this splendid blues offering, a staggering piece of work.  Rarely before has blues tradition been so thoroughly soaked up, only to be reworked and authentically and effectively channeled through numerous shades of rock,  never tampering with the authoritative menacing personality of the genre.   Ace, Jack & King takes us through different motions-- a mixed bag of moods and emotions, sometimes catchy and accessible, unlike the aloof, noticeably bad tempered adaptations of pre war blues. And it works like hell!  Eli Cook is constantly experimenting through his playing, and his scattered expeditions into uncharted territories constantly push the boundaries of the blues.

This is ramblin’ in the truest sense of the word. Excitement starts brewing as soon as Death Rattle gets loose, and you suddenly spot the devil bite you arse. Talk about blues with razor sharp fangs, whose intensity is fuelled with outbursts of rudimentary hard rock. Snake Charm freely expands on the devils statement, blending cumbersome riffing and menacing vocals, liberated of even the slightest hint of harmonious likeability. The majority of the album, however, is firmly rooted in the field of acoustic guitar; therefore it remains strained over more or less recognizable musical frame, but nevertheless tends to impress with  an equal amount of originality. Songs like good old Driftin, the mind resting Black Eyed Dog and the Gallagher like Cocaine Blues are trusty couriers of peppery acoustic blues raised in authentic pre war environment. True blues orphans, lost souls with attitude!   Driftin is particularly impressive, due to Cook s slide guitar work and grave vocals which create the song s mournful appeal.

Eli Cook bows to blues great Skip James with a unique rendition of Catfish Blues and the lesser known number Crow Jane. Certainly Cook s distinctive interpretation of the latter may seem odd to orthodox blues followers, still there is no denying the refreshment injected by the gloomy, almost grungy approach. Gutsy maneuver indeed, the one that definitely underlined Eli Cook s exceptional breadth in understanding the blues.
                      --Daniel Pavlick
                        The Rocktologist
www.therocktologist.com/cook-eli---ace-jack--king.html